1 00:00:01,001 --> 00:00:03,655 -[DRAMATIC MUSIC]- 2 00:00:03,786 --> 00:00:05,918 -[LIGHTNING STRIKING] -[THUNDER CRASHING] 3 00:00:08,660 --> 00:00:10,749 -MITCH: 201 TO KMF 295. 4 00:00:10,880 --> 00:00:12,360 -CRAIG: WHAT'S YOUR 20? 5 00:00:12,490 --> 00:00:14,318 -MITCH: COMING UP ON WILL ROGERS, TOWER 14. 6 00:00:14,449 --> 00:00:15,754 -CRAIG: STILL RAINING? 7 00:00:15,885 --> 00:00:17,408 -MITCH: NO, JUST A BIT OF A DRIZZLE. 8 00:00:17,539 --> 00:00:18,801 -CRAIG: ANYONE ELSE CRAZY ENOUGH TO BE OUT THERE? 9 00:00:18,931 --> 00:00:21,673 -MITCH: [CHUCKLES] NOPE, NOT A SOUL. 10 00:00:21,804 --> 00:00:23,545 -ARE YOU STILL GONNA OPEN THAT TOWER? 11 00:00:23,675 --> 00:00:26,243 -YEAH, IF I CAN FIND IT. 12 00:00:28,593 --> 00:00:31,161 CRAIG, YOU MIGHT'VE BEEN RIGHT ABOUT MOVING 13 00:00:31,292 --> 00:00:33,424 THE TOWERS INTO THE PARKING LOT. 14 00:00:34,904 --> 00:00:37,863 WE'RE LOOKING AT A MAJOR HIDE TIDE HERE. 15 00:00:40,518 --> 00:00:41,780 -CRAIG: HOW MAJOR? 16 00:00:43,521 --> 00:00:45,915 -IF YOU DON'T HEAR FROM ME IN FIVE MINUTES, 17 00:00:47,438 --> 00:00:48,613 SEND BACK UP. 18 00:01:15,640 --> 00:01:18,252 BUCHANNON HERE. OPEN AND READY FOR BUSINESS. 19 00:01:19,427 --> 00:01:22,082 -HE SAID, THUMBING HIS NOSE DEFIANTLY AT EL NINO. 20 00:01:22,212 --> 00:01:24,649 -NO, JUST SAYING ENOUGH WITH ALL THE HYPE. 21 00:01:24,780 --> 00:01:26,869 I'VE BEEN THROUGH ENOUGH WINTERS THAT MAKE EL NINO 22 00:01:26,999 --> 00:01:29,437 LOOK LIKE A SUN SHOWER. 23 00:01:31,439 --> 00:01:35,007 -CRAIG: MITCH? MITCH? 24 00:01:35,138 --> 00:01:36,748 -CAN I CALL YOU RIGHT BACK? 25 00:01:38,185 --> 00:01:40,056 [SCREAMING] 26 00:01:45,801 --> 00:01:47,237 [SCREAMING] 27 00:01:56,986 --> 00:01:59,510 IS THAT THE BEST YOU'VE GOT? 28 00:01:59,641 --> 00:02:02,644 COME ON! COME ONE! 29 00:02:02,774 --> 00:02:06,517 -[THEME MUSIC PLAYING] 30 00:02:10,739 --> 00:02:13,524 - SOME PEOPLE STAND IN THE DARKNESS 31 00:02:14,438 --> 00:02:18,138 AFRAID TO STEP INTO THE LIGHT 32 00:02:18,268 --> 00:02:22,185 SOME PEOPLE NEED TO HELP SOMEBODY 33 00:02:22,316 --> 00:02:25,928 WHEN THE EDGE OF SURRENDER'S IN SIGHT 34 00:02:26,058 --> 00:02:28,887 DON'T YOU WORRY 35 00:02:29,018 --> 00:02:31,629 IT'S GONNA BE ALL RIGHT 36 00:02:34,328 --> 00:02:36,199 'CAUSE I'M ALWAYS READY 37 00:02:36,330 --> 00:02:40,160 I WON'T LET YOU OUT OF MY SIGHT 38 00:02:43,032 --> 00:02:45,469 I'LL BE READY 39 00:02:45,600 --> 00:02:46,862 I'LL BE READY 40 00:02:46,992 --> 00:02:48,907 NEVER YOU FEAR 41 00:02:49,038 --> 00:02:50,909 NO, DON'T YOU FEAR 42 00:02:51,040 --> 00:02:54,261 I'LL BE READY 43 00:02:54,391 --> 00:02:57,046 FOREVER AND ALWAYS 44 00:02:57,177 --> 00:03:00,354 I'M ALWAYS HERE 45 00:03:11,800 --> 00:03:13,628 -MITCH: STILL NO PULSE, BEGIN CPR. 46 00:03:13,758 --> 00:03:17,240 -ONE, TWO, THREE, FOUR, FIVE. 47 00:03:18,589 --> 00:03:21,070 ONE, TWO, THREE, FOUR, FIVE. 48 00:03:21,201 --> 00:03:23,594 -MITCH: WHO KNEW THAT THIS RESCUE WOULD SET IN MOTION 49 00:03:23,725 --> 00:03:25,988 A CHAIN OF EVENTS THAT WOULD CHANGE MY LIFE 50 00:03:26,118 --> 00:03:27,946 MORE THAN I COULD EVER IMAGINE. 51 00:03:28,077 --> 00:03:31,907 -CRAIG: ONE, TWO, THREE, FOUR, FIVE. 52 00:03:32,037 --> 00:03:33,343 -[COUGHING] 53 00:03:33,474 --> 00:03:35,084 -YOU OKAY? 54 00:03:37,260 --> 00:03:38,957 ARE YOU OKAY? 55 00:03:39,088 --> 00:03:41,917 MORE THAN 48 HOURS LATER, CRAIG WOULD BE ASKING 56 00:03:42,047 --> 00:03:43,484 THE SAME QUESTION. 57 00:03:43,614 --> 00:03:45,573 CALL IT THE EL NINO EFFECT OR JUST THE FACT 58 00:03:45,703 --> 00:03:48,184 THAT THINGS NEVER SEEM TO GO AS PLANNED. 59 00:03:54,669 --> 00:03:55,452 HEY! 60 00:03:55,583 --> 00:03:56,540 -HEY! 61 00:03:56,671 --> 00:03:58,368 -COME ON, WORK OUT WITH ME. 62 00:03:58,499 --> 00:03:59,978 -OH, I WISH I COULD BUT I GOTTA SET UP THE LOUNGE CHAIRS. 63 00:04:00,109 --> 00:04:02,459 BESIDES, WE'RE NOT ALLOWED TO WORK OUT 64 00:04:02,590 --> 00:04:03,765 WHILE WE'RE ON THE CLOCK. 65 00:04:03,895 --> 00:04:05,549 -SINCE WHEN? 66 00:04:05,680 --> 00:04:07,203 -IT'S PART OF THE MANAGEMENT'S NEW AUSTERITY PROGRAM. 67 00:04:08,030 --> 00:04:10,685 WE'RE SUPPOSED TO STAY IN SHAPE ON OUR TIME. 68 00:04:10,815 --> 00:04:12,513 -WOW, THAT'S REALLY PINCHING PENNIES. 69 00:04:12,643 --> 00:04:14,079 -YEAH, TELL ME ABOUT IT. 70 00:04:14,210 --> 00:04:15,733 THEY'VE ALREADY CUT OUT ALL THE OVER TIME. 71 00:04:15,864 --> 00:04:17,213 REDUCED LUNCH TO 20 MINUTES AND LATEST RUMOR'S 72 00:04:17,344 --> 00:04:19,302 THAT HALF THE STAFF IS GETTING LAID OFF. 73 00:04:21,043 --> 00:04:24,742 ON THE OTHER HAND, I FELL ASLEEP LAST NIGHT 74 00:04:24,873 --> 00:04:26,309 COUNTING MY BLESSINGS. 75 00:04:26,440 --> 00:04:28,398 OF WHICH YOU WERE AT THE TOP OF THE LIST. 76 00:04:31,749 --> 00:04:33,011 ARE YOU AS HAPPY AS I AM? 77 00:04:33,142 --> 00:04:34,578 -NEVER BEEN HAPPIER. 78 00:04:34,709 --> 00:04:36,580 -NO SECOND THOUGHTS ABOUT GETTING MARRIED? 79 00:04:36,711 --> 00:04:38,452 -NOT A ONE. 80 00:04:38,582 --> 00:04:39,496 -EVEN THOUGH YOU WERE UP ALL NIGHT WITH THE CRYING BABY. 81 00:04:39,627 --> 00:04:41,455 -HEY, THAT'S THE BEST PART. 82 00:04:42,107 --> 00:04:44,588 I MEAN, THAT'S THE SECOND BEST PART. 83 00:04:44,719 --> 00:04:46,721 -YEAH. [LAUGHS] 84 00:04:46,851 --> 00:04:49,680 -OH, WHICH REMINDS ME, WE NEED TO GET A ROCKING CHAIR. 85 00:04:49,811 --> 00:04:51,639 I USED TO HAVE HOBIE IN A ROCKING CHAIR, YOU KNOW, 86 00:04:51,769 --> 00:04:53,554 I'D READ TO HIM AND HE'D FALL RIGHT ASLEEP. 87 00:04:53,684 --> 00:04:55,033 -OH, I WOULD LOVE TO HAVE ONE. 88 00:04:55,164 --> 00:04:56,383 MAYBE THIS WEEK WE CAN GO SHOPPING. 89 00:04:56,513 --> 00:04:58,298 -I'M SCHEDULED TO WORK BOTH DAYS. 90 00:04:58,950 --> 00:05:00,822 -THEN, MAYBE ONE NIGHT AFTER WORK? 91 00:05:01,649 --> 00:05:03,955 -TEACHING CPR AT SANTA MONICA COLLEGE NIGHTS. 92 00:05:04,086 --> 00:05:05,392 -OH, YEAH, THAT'S RIGHT. 93 00:05:05,522 --> 00:05:07,394 -WE'LL FIND SOME TIME OKAY? 94 00:05:07,524 --> 00:05:09,787 -MAYBE WE CAN FIND A 24 HOUR ANTIQUE STORE. 95 00:05:09,918 --> 00:05:11,702 -YEAH. 96 00:05:11,833 --> 00:05:12,921 -MAN ON INTERCOM: NEELY CAPSHAW, PLEASE REPORT TO THE OFFICE. 97 00:05:13,530 --> 00:05:15,184 -NO REST FOR THE WEARY. 98 00:05:15,315 --> 00:05:17,317 -I THOUGHT YOU CHANGED YOUR NAME TO BUCHANNON, GIRL. 99 00:05:17,447 --> 00:05:18,666 -I TOLD THEM I WAS CHANGING MY NAME. 100 00:05:18,796 --> 00:05:20,450 NOBODY LISTENS TO ME AROUND HERE. 101 00:05:20,581 --> 00:05:22,409 -MAN ON INTERCOM: NEELY, TO THE OFFICE. 102 00:05:23,061 --> 00:05:24,367 -YOU HEARD THE MAN. GOTTA GO. 103 00:05:24,498 --> 00:05:26,848 -HAVE A GOOD DAY AND I WILL STOP BY 104 00:05:26,978 --> 00:05:28,023 AND CHECK ON YOU LATER. 105 00:05:28,153 --> 00:05:29,329 -I'LL SEE YOU THEN. 106 00:05:31,635 --> 00:05:33,463 I LOVE YOU, MITCH BUCHANNON. 107 00:05:33,594 --> 00:05:36,292 -I LOVE YOU, NEELY BUCHANNON. 108 00:05:36,423 --> 00:05:42,298 -[UPBEAT MUSIC] 109 00:06:00,534 --> 00:06:01,752 -HEY. -MITCH: HEY. 110 00:06:01,883 --> 00:06:03,232 -CAN YOU BELIEVE THIS WEATHER? 111 00:06:03,363 --> 00:06:05,103 YESTERDAY IT'S PRACTICALLY A MONSOON, 112 00:06:05,234 --> 00:06:06,453 TODAY IT'S GONNA BE IN THE 90S. 113 00:06:06,583 --> 00:06:08,019 -WHICH MEANS WE EXPECT A FULL HOUSE. 114 00:06:08,150 --> 00:06:09,804 EL NINO STRIKES AGAIN. 115 00:06:09,934 --> 00:06:11,327 -DID YOU GET MY MESSAGE ABOUT MONDAY? 116 00:06:11,458 --> 00:06:12,372 I'VE GOT TO BE IN COURT, I'M NOT GOING 117 00:06:12,502 --> 00:06:13,808 TO BE ABLE TO MAKE IT. 118 00:06:13,938 --> 00:06:15,375 IS THERE ANY WAY YOU CAN RESCHEDULE? 119 00:06:15,505 --> 00:06:16,506 -NO, THE MINISTER'S OUT OF TOWN FOR THE WEEK. 120 00:06:16,637 --> 00:06:17,855 -SORRY. 121 00:06:17,986 --> 00:06:19,248 -CRAIG, YOU'RE MY BEST MAN. 122 00:06:19,379 --> 00:06:20,554 -HOW ABOUT A JUSTICE OF THE PEACE. 123 00:06:20,684 --> 00:06:22,120 I MEAN IT'S JUST A TECHNICALITY. 124 00:06:22,251 --> 00:06:23,818 -I'LL TALK TO NEELY. -CRAIG: GOOD. 125 00:06:23,948 --> 00:06:25,820 -HOLD ON, TALK TO ME FIRST. WHAT'S GOING ON HERE? 126 00:06:25,950 --> 00:06:27,822 MINISTER, JUSTICE OF THE PEACE, I THOUGHT YOU GOT MARRIED 127 00:06:27,952 --> 00:06:29,650 ON THE CRUISE? 128 00:06:29,780 --> 00:06:30,694 -IT'S A LITTLE KNOWN FACT THAT THE CAPTAIN OF THE SHIP 129 00:06:30,825 --> 00:06:32,174 CAN'T LEGALLY MARRY ANYBODY. 130 00:06:32,304 --> 00:06:34,132 THAT ONLY HAPPENS IN HOLLYWOOD MOVIES. 131 00:06:34,263 --> 00:06:35,656 -WE NEED A BLOOD TEST, MARRIAGE LICENSE. 132 00:06:35,786 --> 00:06:36,787 -NOTE FROM YOUR MOM. 133 00:06:36,918 --> 00:06:38,528 -SAME DAY OFF. 134 00:06:38,659 --> 00:06:40,356 -OKAY, SO YOU'RE OFFICIALLY NOT HUSBAND AND WIFE. 135 00:06:40,487 --> 00:06:42,532 -NOT OFFICIALLY, BUT I THINK HE'S CHANGED ENOUGH DIAPERS 136 00:06:42,663 --> 00:06:44,186 TO QUALIFY AS THE FATHER. 137 00:06:44,316 --> 00:06:45,796 -[LAUGHING] 138 00:06:45,927 --> 00:06:51,280 -[DANCE MUSIC] 139 00:07:14,216 --> 00:07:17,045 -MITCH: 201 TO KMF 295. I'M AT THE SAND AND SEA CLUB. 140 00:07:17,175 --> 00:07:20,178 I'M GONNA TAKE FIVE AND SAY HI TO MY LOVELY WIFE. 141 00:07:20,309 --> 00:07:21,441 -DISPATCH: ROGER THAT. 142 00:07:24,008 --> 00:07:26,228 -OH, NO, NO, NO, NO. 143 00:07:26,358 --> 00:07:28,012 NO, NO, PLEASE. 144 00:07:29,710 --> 00:07:32,016 THANK YOU. THANK YOU. 145 00:07:37,979 --> 00:07:38,806 -HEY. 146 00:07:41,809 --> 00:07:43,811 YOU COULD STAND TO USE A FEW MORE UMBRELLAS. 147 00:07:43,941 --> 00:07:47,728 -I WISH. THE NEW MANAGER CAN'T AFFORD THEM. 148 00:07:47,858 --> 00:07:49,251 I DON'T WANT TO ARGUE WITH HIM ANY MORE. 149 00:07:49,381 --> 00:07:51,383 HE'S ALREADY UPSET THAT I ASKED FOR A DAY OFF. 150 00:07:51,514 --> 00:07:52,689 -WOMAN: NEELY! 151 00:07:52,820 --> 00:07:53,647 -LOOKS LIKE YOU'RE BEING PAGED. 152 00:07:54,299 --> 00:07:56,911 -I'LL BE RIGHT WITH YOU, MRS. MURDOCH. 153 00:07:57,041 --> 00:08:00,741 I'M TALKING TO MY HUSBAND IF YOU DON'T MIND. 154 00:08:00,871 --> 00:08:02,612 ISN'T THIS FUN? 155 00:08:02,743 --> 00:08:05,746 -COME ON, I THOUGHT WE AGREED THERE'S CERTAIN ADVANTAGES 156 00:08:05,876 --> 00:08:07,312 TO THIS JOB. 157 00:08:07,443 --> 00:08:08,444 -YOU MEAN LIKE US NOT HAVING TO WORK TOGETHER? 158 00:08:08,575 --> 00:08:10,446 -NO, LIKE DAYCARE CENTER. 159 00:08:10,577 --> 00:08:12,404 THE FACT YOU CAN BRING ASHLEY TO WORK WITH YOU. 160 00:08:12,535 --> 00:08:14,755 -WE CAN GET SOMEBODY ELSE TO WATCH HER. 161 00:08:14,885 --> 00:08:17,540 MY MOM, HOBIE, YOUR MOM. 162 00:08:18,889 --> 00:08:20,804 MITCH, THIS PLACE IS DRIVING ME CRAZY. 163 00:08:20,935 --> 00:08:23,241 I'M NOTHING BUT A GLORIFIED CABANA GIRL AT BEST. 164 00:08:24,982 --> 00:08:27,332 I WANNA BE A REAL LIFEGUARD AGAIN. 165 00:08:36,211 --> 00:08:41,433 -[LIVELY MUSIC] 166 00:08:47,178 --> 00:08:51,487 - AND I'M SO SICK OF DOING THE SAME OLD TRICKS YEAH 167 00:08:51,618 --> 00:08:57,537 STUCK AT MY 9 TO 5 HAS GOT ME HYPNOTIZED AND I DON'T REALIZE 168 00:08:57,667 --> 00:09:02,629 BUT I'LL BE FINE JUST WATCHING THE DAYS GO BY WHILE 169 00:09:02,759 --> 00:09:04,935 EVERYONE'S OUT THERE IN THE WORLD 170 00:09:05,066 --> 00:09:08,809 I'M STUCK FIGHTING JUST TO GET SOME AIR AND 171 00:09:08,939 --> 00:09:11,333 I'M OVER IT 172 00:09:11,463 --> 00:09:14,249 SO DISMISSED 173 00:09:14,379 --> 00:09:17,382 I'M BREAKIN OUT OR I'LL FREAK OUT 174 00:09:17,513 --> 00:09:21,996 I'M SO OVER I'M OVER IT 175 00:09:22,649 --> 00:09:27,915 NO ONE WILL NOTICE I'M TAKIN OFF TO BIGGER THINGS 176 00:09:28,045 --> 00:09:31,788 I'M SO OVER IT 177 00:09:41,624 --> 00:09:46,542 AND I'M SO SICK OF DOING THE SAME OLD TRICKS YEAH 178 00:09:46,673 --> 00:09:52,592 STUCK AT MY 9 TO 5 HAS GOT ME HYPNOTIZED AND I DON'T REALIZE 179 00:09:52,722 --> 00:09:56,987 BUT I'LL BE FINE JUST WATCHING THE DAYS GO BY WHILE 180 00:09:57,597 --> 00:10:00,382 EVERYONE'S OUT THERE IN THE WORLD 181 00:10:00,512 --> 00:10:03,472 AND I'M STUCK FIGHTING JUST TO GET SOME AIR 182 00:10:03,603 --> 00:10:06,388 I'M OVER IT 183 00:10:06,518 --> 00:10:09,043 SO DISMISSED 184 00:10:09,173 --> 00:10:11,915 I'M BREAKIN OUT OR I'LL FREAK OUT 185 00:10:12,046 --> 00:10:17,312 I'M SO OVER I'M OVER IT 186 00:10:17,442 --> 00:10:22,926 NO ONE WILL NOTICE I'M TAKIN OF TO BIGGER THINGS 187 00:10:23,057 --> 00:10:27,017 I'M SO OVER IT 188 00:10:32,762 --> 00:10:37,767 [MUMBLED CHANTING OVER MUSIC] 189 00:10:47,255 --> 00:10:50,301 I'M OVER IT 190 00:10:50,432 --> 00:10:52,695 SO DISMISSED 191 00:10:52,826 --> 00:10:55,698 I'M BREAKIN OUT OR I'LL FREAK OUT 192 00:10:55,829 --> 00:11:00,790 I'M SO OVER I'M OVER IT 193 00:11:00,921 --> 00:11:06,840 NO ONE WILL NOTICE I'M TAKIN OF TO BIGGER THINGS 194 00:11:06,970 --> 00:11:10,626 I'M SO OVER IT 195 00:11:18,329 --> 00:11:24,292 -[SOLEMN MUSIC] 196 00:11:26,903 --> 00:11:29,906 -[COUGHING] 197 00:11:40,134 --> 00:11:41,135 -J.D., OVER THERE. 198 00:11:41,265 --> 00:11:42,353 -LET'S GO. 199 00:12:02,722 --> 00:12:04,724 -[SIRENS SCREECHING] 200 00:12:29,183 --> 00:12:30,706 -CODY: J.D. GET OVER HERE! 201 00:12:37,365 --> 00:12:39,019 -WATCH HER NECK, MAN. 202 00:12:41,021 --> 00:12:43,110 -NICE AND EASY. I GOT HER HEAD. 203 00:12:44,938 --> 00:12:47,723 I DON'T KNOW WHAT HAPPENED. SHE WAS JUST FLOATING OUT THERE. 204 00:12:48,942 --> 00:12:50,813 -NO PULSE, SHE'S NOT BREATHING. 205 00:12:56,776 --> 00:12:58,255 STILL NO PULSE. BEGIN CPR. 206 00:12:58,386 --> 00:13:02,303 -ONE, TWO, THREE, FOUR, FIVE. 207 00:13:03,652 --> 00:13:06,916 ONE, TWO, THREE, FOUR, FIVE. 208 00:13:08,788 --> 00:13:12,182 ONE, TWO, THREE, FOUR, FIVE. 209 00:13:13,401 --> 00:13:14,576 ONE, TWO-- 210 00:13:14,706 --> 00:13:15,533 -[COUGHING] -OKAY, THAT'S IT. 211 00:13:15,664 --> 00:13:17,797 EASY, EASY. EASY NOW. 212 00:13:17,927 --> 00:13:19,799 SLOW BREATH, TAKE A SLOW BREATH. 213 00:13:21,496 --> 00:13:24,847 OKAY, YOU OKAY? YOU OKAY? 214 00:13:26,501 --> 00:13:30,331 ARE YOU OKAY? DO YOU KNOW WHERE YOU ARE? 215 00:13:30,461 --> 00:13:32,507 WHAT'S YOUR NAME? 216 00:13:32,637 --> 00:13:33,769 -SHE'S COMING OUT OF IT. 217 00:13:34,378 --> 00:13:36,032 -CHRIS, GET SOME O2 IN HERE. CODY GET A BACK BOARD. 218 00:13:36,163 --> 00:13:36,990 -CODY: YUP. 219 00:13:37,120 --> 00:13:38,208 -CHRIS: NEED SOME O2. 220 00:13:38,339 --> 00:13:39,949 -[COUGHING] 221 00:13:40,080 --> 00:13:40,863 -SEIZURE. GIVE HER SOME SPACE. SECURE HER HEAD. 222 00:13:40,994 --> 00:13:42,430 -J.D.: I GOT HER HEAD. 223 00:13:42,560 --> 00:13:44,084 -SHE CAN'T BREATHE, IT'S CHOKING UP HER AIRWAY. 224 00:13:44,214 --> 00:13:48,697 -ALL RIGHT, ALL RIGHT. EASY. 225 00:13:48,828 --> 00:13:50,090 -CHRIS: HERE YOU GO, MITCH. 226 00:13:50,220 --> 00:13:51,613 -O2. 227 00:13:54,572 --> 00:13:57,532 -J.D.: OKAY, ONE, TWO, THREE, ROLL. 228 00:13:57,662 --> 00:13:58,968 SET HER DOWN. 229 00:13:59,621 --> 00:14:00,796 ON THREE, WE'RE GONNA LIFT. 230 00:14:00,927 --> 00:14:03,494 ONE, TWO, THREE, LIFT. 231 00:14:03,625 --> 00:14:05,366 -ALL RIGHT, LET'S GO! 232 00:14:06,802 --> 00:14:07,803 -J.D.: GRIP HER HEAD. 233 00:14:07,934 --> 00:14:09,239 -WOMAN: OKAY, GOT HER. 234 00:14:09,370 --> 00:14:10,197 COME ON. 235 00:14:11,502 --> 00:14:13,069 OKAY. -MITCH: WE'RE GOOD. 236 00:14:13,200 --> 00:14:14,418 -WOMAN: HER HEAD'S SECURE. 237 00:14:15,637 --> 00:14:16,638 ALL CLEAR. 238 00:14:16,768 --> 00:14:19,684 -[SIRENS BLARING] 239 00:14:23,210 --> 00:14:24,951 -HEY, YOU. -NEELY: HI. 240 00:14:27,214 --> 00:14:29,738 THE HOSPITAL CALLED. THE VICTIM'S OUT OF SURGERY. 241 00:14:29,869 --> 00:14:31,348 -REALLY, HOW'D IT GO? 242 00:14:31,479 --> 00:14:33,089 -WELL, THEY WERE ABLE TO CONTROL THE INJURY. 243 00:14:33,220 --> 00:14:35,091 SHE'LL HAVE A PRETTY BAD HEADACHE FOR A COUPLE OF DAYS, 244 00:14:35,222 --> 00:14:37,485 BUT THERE'S NO BRAIN DAMAGE. 245 00:14:37,615 --> 00:14:39,052 -THAT'S GOOD. -MM-HM. 246 00:14:39,182 --> 00:14:41,271 THE ER DOCTOR TOLD ME TO GIVE YOU THE FULL 247 00:14:42,446 --> 00:14:43,447 HERO TREATMENT. 248 00:14:43,578 --> 00:14:44,579 -WHERE'S ASHLEY? 249 00:14:44,709 --> 00:14:45,841 -SHE FELL ASLEEP. 250 00:14:45,972 --> 00:14:47,495 I HOPE YOU'RE NOT TOO HUNGRY. 251 00:14:47,625 --> 00:14:48,800 DINNER WON'T BE READY FOR ANOTHER HALF AN HOUR. 252 00:14:48,931 --> 00:14:50,280 -NO, I'M FINE, I'M FINE. 253 00:14:51,891 --> 00:14:53,936 -IT'S NICE TO HAVE A CHANCE TO TALK. 254 00:14:55,155 --> 00:14:57,679 WITHOUT A BABY CRYING OR HOBIE AND HIS FRIENDS 255 00:14:57,809 --> 00:14:58,854 CHARGING THROUGH THE HOUSE. 256 00:15:00,943 --> 00:15:03,903 I'M SORRY ABOUT PRESSURING YOU ABOUT MY REINSTATEMENT. 257 00:15:04,033 --> 00:15:06,079 MAYBE IT'S NOT A GOOD IDEA FOR ME TO COME BACK TO BAYWATCH. 258 00:15:06,209 --> 00:15:07,732 -I DIDN'T SAY THAT. 259 00:15:07,863 --> 00:15:09,647 -I WANT YOU TO KNOW THAT WHATEVER YOU DECIDE, 260 00:15:09,778 --> 00:15:11,345 I STILL LOVE YOU. 261 00:15:11,475 --> 00:15:13,651 BY THE WAY, I WORKED IT OUT THAT WE CAN OFFICIALLY 262 00:15:13,782 --> 00:15:15,175 TIE THE KNOT WHATEVER DAY WE WANT. 263 00:15:15,305 --> 00:15:17,829 -AH-HA, YOUR BOSS HAD A CHANGE OF HEART. 264 00:15:17,960 --> 00:15:20,876 -NO, HE'S NOT MY BOSS ANY MORE. I QUIT. 265 00:15:24,880 --> 00:15:27,361 KNOW ANYBODY WHO NEEDS A GOOD LIFEGUARD? 266 00:15:29,885 --> 00:15:31,582 -CRAIG: I CAN'T BELIEVE THIS. 267 00:15:31,713 --> 00:15:33,584 SHE FILED A SEXUAL HARASSMENT SUIT AGAINST MATT BRODY? 268 00:15:33,715 --> 00:15:35,282 MATT BRO-- 269 00:15:35,412 --> 00:15:36,413 -I KNOW, I KNOW. I COULDN'T BELIEVE IT EITHER. 270 00:15:37,197 --> 00:15:39,155 -SHE GOT A LETTER OF REPRIMAND FROM STEPHANIE HOLDEN 271 00:15:39,286 --> 00:15:40,678 FOR GETTING CAUGHT DRINKING IN HER TOWER. 272 00:15:40,809 --> 00:15:42,071 HAVE YOU ACTUALLY READ THIS PERSONNEL FILE? 273 00:15:42,202 --> 00:15:44,334 -READ IT, PAL? I LIVED IT. 274 00:15:44,465 --> 00:15:46,249 -MAYBE SHE HAD A PROBLEM WITH PILLS AFTER I ASKED 275 00:15:46,380 --> 00:15:48,295 SHE WAS BORN, BUT THIS IS LIKE A TOTALLY DIFFERENT PERSON. 276 00:15:48,425 --> 00:15:50,123 -NEELY'S GONE THROUGH A LOT OF CHANGES 277 00:15:50,253 --> 00:15:51,689 SINCE SHE'S BEEN HERE AT BAYWATCH, BUT SHE'S ALSO 278 00:15:51,820 --> 00:15:53,430 DONE A LOT GROWING UP. 279 00:15:53,561 --> 00:15:55,302 -I DON'T MEAN TO SAY YOU SHOULDN'T BRING HER BACK, 280 00:15:55,432 --> 00:15:57,347 IT'S JUST THAT THIS SEEMS LIKE A TOTALLY DIFFERENT PERSON. 281 00:15:57,478 --> 00:15:58,914 -DON'T WORRY ABOUT NEELY, PAL. 282 00:15:59,045 --> 00:16:00,524 SHE'S ONE OF THE BEST LIFEGUARDS WE HAVE. 283 00:16:00,655 --> 00:16:02,048 -OKAY, IF YOU'RE NOT WORRIED, I'M NOT WORRIED. 284 00:16:02,178 --> 00:16:03,788 -HEY. -MITCH: HEY. 285 00:16:03,919 --> 00:16:05,790 -GUESS WHAT? I HAVE AN INTERVIEW WITH CALVIN KLEIN. 286 00:16:05,921 --> 00:16:07,618 -WAY TO GO. I HAVE TO CHANGE 287 00:16:07,749 --> 00:16:10,404 -GREAT, IS THIS THE INTERNSHIP YOU TOLD ME ABOUT? 288 00:16:10,534 --> 00:16:12,319 -ACTUALLY, IT'S A REAL JOB OFFER. 289 00:16:12,449 --> 00:16:13,929 I SENT SOME OF THE SAMPLES I DID FOR CALIFORNIA LIFESTYLES. 290 00:16:14,060 --> 00:16:15,975 I DIDN'T EXPECT A RESPONSE. 291 00:16:16,105 --> 00:16:17,672 -WHEN'S THE INTERVIEW? 292 00:16:17,802 --> 00:16:19,717 -TOMORROW. I FLY TO NEW YORK AT 5:30 IN THE MORNING. 293 00:16:19,848 --> 00:16:22,198 -HEY. DID I HEAR YOU SAY YOU'RE GOING TO NEW YORK? 294 00:16:22,329 --> 00:16:24,374 -OH, THAT'S RIGHT. YOU'RE GOING TO SEE LANI, HUH? 295 00:16:24,505 --> 00:16:25,680 -YEAH, I'M ON THE EARLY BIRD TOMORROW MORNING. 296 00:16:25,810 --> 00:16:27,029 -ME, TOO. 297 00:16:27,160 --> 00:16:28,030 -EXCELLENT, YOU CAN CARRY MY BAGS. 298 00:16:28,161 --> 00:16:29,553 -[LAUGHING SARCASTICALLY] 299 00:16:29,684 --> 00:16:31,207 -OFF TO OPEN THE TOWER. SEE YOU IN THE MORNING. 300 00:16:31,338 --> 00:16:34,036 -IN THE MEANTIME, I NEED TO TX WITH SOMEONE. 301 00:16:34,167 --> 00:16:35,168 WHO WOULD WANT TO TAKE MY SCHEDULE 302 00:16:35,298 --> 00:16:36,430 FOR THE NEXT FEW DAYS? 303 00:16:36,560 --> 00:16:37,997 -DON'T LOOK AT ME. 304 00:16:38,910 --> 00:16:40,042 -HOW ABOUT NEELY? 305 00:16:40,564 --> 00:16:42,566 -NEELY'S BACK? SINCE WHEN? 306 00:16:42,697 --> 00:16:43,524 -THIS MORNING. 307 00:16:44,960 --> 00:16:45,787 -WHAT TOWER? 308 00:16:45,917 --> 00:16:51,053 -[PLANE ROARING] 309 00:16:53,490 --> 00:16:55,231 -YEAH, THE NEW REGULATORS THAT DACOR HAVE 310 00:16:55,362 --> 00:16:56,406 ARE UNBELIEVABLE. -[PHONE RINGING] 311 00:16:56,537 --> 00:16:57,799 -EXCUSE ME. 312 00:16:57,929 --> 00:16:59,540 BUCHANNON. 313 00:16:59,670 --> 00:17:01,803 -MITCH? DID YOU DO THE TOWER ASSIGNING THIS MORNING? 314 00:17:02,499 --> 00:17:04,023 -NEELY, YOU HAVE TO SPEAK UP, 315 00:17:04,153 --> 00:17:05,328 I CAN'T HEAR YOU. -CRAIG: PUT HER ON SPEAKER. 316 00:17:05,459 --> 00:17:06,938 -OF COURSE YOU CAN'T HEAR ME. 317 00:17:07,069 --> 00:17:10,377 THERE'S 747S TAKING OFF DIRECT OVERHEAD. 318 00:17:10,507 --> 00:17:11,682 -YOU PUT HER AT KILGORE 1? 319 00:17:11,813 --> 00:17:13,423 -I DIDN'T. 320 00:17:13,554 --> 00:17:15,425 -I DIDN'T WANT ANYONE TO ACCUSE YOU OF PLAYING FAVORITES. 321 00:17:15,556 --> 00:17:18,124 -YEAH, NO SPECIAL TREATMENT FOR THE BOSS'S WIFE. 322 00:17:18,254 --> 00:17:19,473 -WELCOME BACK, NEELY. 323 00:17:19,603 --> 00:17:20,517 -WHAT DID SHE SAY? 324 00:17:20,648 --> 00:17:22,041 -ALL: WELCOME BACK. 325 00:17:22,171 --> 00:17:24,391 -OH, THANKS, GUYS. IT'S GOOD TO BE BACK. 326 00:17:24,521 --> 00:17:26,697 ALTHOUGH, I THINK I'LL NEVER HEAR AGAIN. 327 00:17:26,828 --> 00:17:28,569 -[PLANES ROARING] 328 00:17:28,699 --> 00:17:29,874 -THE TOWER IS SHAKING. 329 00:17:30,658 --> 00:17:31,702 -[LAUGHING] 330 00:17:31,833 --> 00:17:32,616 -NEELY: CRAIG? 331 00:17:32,747 --> 00:17:33,878 -YES, NEELY. 332 00:17:34,009 --> 00:17:35,576 I'M GOING TO GET YOU FOR THIS. 333 00:17:36,272 --> 00:17:37,317 -OKAY. 334 00:17:50,330 --> 00:17:52,854 -[BABY CRYING] 335 00:17:52,984 --> 00:17:55,074 -OH, HEY, HEY, HEY. 336 00:17:56,423 --> 00:17:57,728 I GOT YOU, HONEY. 337 00:17:57,859 --> 00:17:59,469 -SHE'S ALL YOURS. 338 00:17:59,600 --> 00:18:01,558 NEELY'S MOM IS GONNA PICK HER UP IN ABOUT AN HOUR. 339 00:18:01,689 --> 00:18:02,820 -OH, HERE YOU GO. 340 00:18:02,951 --> 00:18:04,822 -EXCUSE ME, SORRY TO BOTHER YOU. 341 00:18:04,953 --> 00:18:06,259 I KNOW SOMEONE WHO USED TO WORK HERE. 342 00:18:06,389 --> 00:18:08,522 NEELY CAPSHAW? IS SHE STILL AROUND? 343 00:18:11,002 --> 00:18:13,222 IF NOT, DO YOU KNOW WHERE I MIGHT BE ABLE TO FIND HER? 344 00:18:13,353 --> 00:18:14,658 -AND YOU ARE? -PETER: PETER ANDREWS. 345 00:18:14,789 --> 00:18:15,746 -HER EX-HUSBAND? 346 00:18:15,877 --> 00:18:17,226 -YES. 347 00:18:17,357 --> 00:18:18,749 -OH, DID YOU COME BY TO SEE ASHLEY? 348 00:18:19,576 --> 00:18:20,490 -PETER: I BEG YOUR PARDON? 349 00:18:21,230 --> 00:18:22,536 -DOES NEELY KNOW YOU'RE IN TOWN? 350 00:18:22,666 --> 00:18:24,190 -NOT UNLESS SHE'S PSYCHIC. 351 00:18:24,320 --> 00:18:25,887 I'VE BEEN IN THE HIMALAYAS THE LAST SIX MONTHS 352 00:18:26,017 --> 00:18:27,323 AND I'M AFRAID WE LOST TOUCH. 353 00:18:28,455 --> 00:18:31,066 -WELL, THAT'S FUNNY, SHE SAID SHE SAW YOU IN ALASKA. 354 00:18:31,197 --> 00:18:32,285 -ALASKA? 355 00:18:32,415 --> 00:18:33,982 -YEAH, LAST MONTH IN JUNO. 356 00:18:34,113 --> 00:18:36,811 WITH YOUR NEW WIFE AND NEW BABY. 357 00:18:36,941 --> 00:18:39,379 -THAT SEEMS RATHER ODD SINCE I'M NOT MARRIED. 358 00:18:39,509 --> 00:18:40,858 I CERTAINLY DON'T HAVE A CHILD. 359 00:18:44,210 --> 00:18:45,341 -YEAH, YOU DO. 360 00:18:46,212 --> 00:18:49,128 PETER, THIS IS YOUR DAUGHTER, ASHLEY. 361 00:18:50,216 --> 00:18:54,655 -[CALMING MUSIC] 362 00:19:08,016 --> 00:19:10,018 -HEY, PAL. YOU OKAY? 363 00:19:12,455 --> 00:19:13,761 -GO AHEAD, SAY IT. 364 00:19:13,891 --> 00:19:15,676 -SAY WHAT? 365 00:19:15,806 --> 00:19:18,461 -WHAT'D YOU BEEN THINKING SINCE I CAME BACK FROM ALASKA. 366 00:19:18,592 --> 00:19:21,247 THAT I GOT CAUGHT UP IN SOME SHIP BOARD ROMANCE 367 00:19:21,377 --> 00:19:23,162 AND TEMPORARILY LOST MY MIND. 368 00:19:24,380 --> 00:19:26,034 -THAT'S NOT WHAT I THINK. 369 00:19:27,557 --> 00:19:30,430 I THINK YOU REALLY LOVE NEELY AND THAT'S WHY IT HURTS. 370 00:19:31,909 --> 00:19:33,694 I ALSO THINK THAT'S WHY SHE DESERVES 371 00:19:33,824 --> 00:19:35,348 THE BENEFIT OF THE DOUBT. 372 00:19:35,478 --> 00:19:37,176 THE FACT IS YOU DON'T KNOW WHO'S TELLING THE TRUTH. 373 00:19:38,786 --> 00:19:41,180 YOU SHOULD AT LEAST HEAR HER SIDE OF THE STORY. 374 00:19:43,051 --> 00:19:46,054 -PLAYED THIS THING OVER IN MY MIND A THOUSAND TIMES. 375 00:19:47,664 --> 00:19:49,492 SHE HAD THE WHOLE THING PLANNED. 376 00:19:51,668 --> 00:19:53,975 -WHY WOULD SHE LIE ABOUT SOMETHING LIKE THAT? 377 00:19:54,105 --> 00:19:57,500 -YOU READ HER FILE. SHE'S BEEN LYING HER WHOLE LIFE. 378 00:19:57,631 --> 00:19:58,849 -[CAR HONKING] 379 00:19:58,980 --> 00:20:01,765 -HEY, MITCH. I JUST SAW NEELY. 380 00:20:01,896 --> 00:20:03,724 SHE'S GONNA WORK OUT AFTER HER SHIFT. 381 00:20:03,854 --> 00:20:04,942 SAYS SHE'LL SEE YOU AT HOME. 382 00:20:05,073 --> 00:20:06,205 -THANKS. 383 00:20:06,814 --> 00:20:07,989 -IS EVERYTHING OKAY? 384 00:20:08,119 --> 00:20:09,643 -YEAH, IT'S JUST FINE, J.D. 385 00:20:11,166 --> 00:20:13,342 -NEVER HAD A BETTER DAY. 386 00:20:15,344 --> 00:20:20,349 -[MELANCHOLY MUSIC] 387 00:20:24,440 --> 00:20:25,833 MITCH: WHAT HAPPENED WITH PETER? 388 00:20:25,963 --> 00:20:27,704 -NEELY: PETER'S MARRIED. 389 00:20:27,835 --> 00:20:29,271 -MITCH: WHAT? 390 00:20:29,402 --> 00:20:32,622 -YEAH, I MET HIS WIFE AND HIS LITTLE BABY BOY. 391 00:20:33,884 --> 00:20:35,146 -YOU'RE KIDDING. 392 00:20:36,104 --> 00:20:38,237 -OBVIOUSLY WE'RE NOT GETTING BACK TOGETHER. 393 00:20:39,107 --> 00:20:42,023 HE'LL COME AND SEE ASHLEY WHENEVER HE CAN, 394 00:20:42,153 --> 00:20:44,634 BUT OTHERWISE WE'RE ON OUR OWN. 395 00:20:45,418 --> 00:20:46,810 -ARE YOU OKAY WITH THAT? 396 00:20:46,941 --> 00:20:49,378 -WELL, TO BE HONEST WITH YOU, IT'S A HUGE RELIEF. 397 00:20:49,509 --> 00:20:51,075 I KNEW IN MY HEART IT WOULD NEVER WORK. 398 00:20:51,206 --> 00:20:53,469 I MEAN, HOW CAN YOU BE WITH SOMEONE 399 00:20:53,600 --> 00:20:55,254 WHEN YOU'RE IN LOVE WITH SOMEONE ELSE? 400 00:20:57,517 --> 00:21:01,434 ONLY QUESTION NOW IS DOES HE LOVE ME? 401 00:21:04,219 --> 00:21:06,134 -WHO'S HE? 402 00:21:07,614 --> 00:21:08,702 -YOU. 403 00:21:11,748 --> 00:21:12,575 -ME? 404 00:21:13,968 --> 00:21:16,100 -DO YOU? -MITCH: DO I WHAT? 405 00:21:16,231 --> 00:21:18,146 -LOVE ME. 406 00:21:23,369 --> 00:21:27,982 -NEELY, I LOVE YOU MORE THAN ANYONE I'VE EVER LOVED 407 00:21:28,112 --> 00:21:29,288 IN MY ENTIRE LIFE. 408 00:21:38,688 --> 00:21:40,821 -SURPRISE. STILL HERE? 409 00:21:40,951 --> 00:21:41,822 -YEAH. 410 00:21:43,214 --> 00:21:44,433 -MITCH, WHAT'S WRONG? 411 00:21:45,608 --> 00:21:48,089 -SOMEONE CAME BY TO SEE YOU TODAY. 412 00:21:49,612 --> 00:21:50,613 -WHO? 413 00:21:53,007 --> 00:21:54,487 -MITCH: YOUR EX-HUSBAND. 414 00:21:54,617 --> 00:21:55,444 -PETER? 415 00:21:55,575 --> 00:21:57,185 -INTERESTING THOUGHT. 416 00:21:57,316 --> 00:21:59,579 CLAIMS HE'S BEEN IN THE HIMALAYAS THE LAST SIX MONTHS. 417 00:21:59,709 --> 00:22:02,973 THAT HE'S NEVER BEEN TO ALASKA AND THAT HE HASN'T SEEN YOU 418 00:22:03,104 --> 00:22:04,932 IN OVER A YEAR. 419 00:22:05,062 --> 00:22:07,064 -WHAT, MITCH? THIS IS ANOTHER ONE OF YOUR PRACTICAL JOKES. 420 00:22:07,195 --> 00:22:09,806 -HAD ABSOLUTELY NO IDEA THAT HE WAS A FATHER. 421 00:22:11,199 --> 00:22:13,157 -OH, MY GOD. YOU DIDN'T LET HIM NEAR ASHLEY. 422 00:22:13,288 --> 00:22:15,682 HE PROBABLY CAME HERE TO KIDNAP HER. 423 00:22:15,812 --> 00:22:17,118 WHERE IS SHE? WHERE'S MY BABY? 424 00:22:17,248 --> 00:22:18,424 -YOUR MOTHER CAME BY TO PICK HER UP. 425 00:22:18,554 --> 00:22:19,729 -LOOK, I WANNA CALL AND MAKE SURE. 426 00:22:19,860 --> 00:22:21,296 -WHY DID YOU LIE TO ME ON THE CRUISE? 427 00:22:21,427 --> 00:22:22,993 WHY DID YOU TELL ME YOU WENT TO SEE PETER 428 00:22:23,124 --> 00:22:24,691 AND THAT HE WAS MARRIED? WHY DID YOU DO THAT? WHY? 429 00:22:24,821 --> 00:22:26,736 -LOOK, I DON'T KNOW WHAT'S GOING ON HERE, MITCH, 430 00:22:26,867 --> 00:22:28,782 BUT MY ONLY CONCERN AT THE MOMENT IS THE SAFETY 431 00:22:28,912 --> 00:22:30,523 OF MY CHILD, NOW PLEASE LET ME GO. 432 00:22:30,653 --> 00:22:32,089 -NOT UNTIL YOU ANSWER MY QUESTION! 433 00:22:32,220 --> 00:22:33,830 WHY DID YOU LIE TO ME? WHY? 434 00:22:33,961 --> 00:22:36,137 -BECAUSE I DIDN'T THINK IT WOULD MATTER! 435 00:22:36,267 --> 00:22:40,533 I DIDN'T KNOW THAT YOU WERE GOING TO PROPOSE TO ME. 436 00:22:40,663 --> 00:22:43,318 ALL I WAS THINKING WAS THAT I DIDN'T WANT TO DEAL 437 00:22:43,449 --> 00:22:44,232 WITH MY EX-HUSBAND. 438 00:22:44,363 --> 00:22:45,929 -OH, COME ON. 439 00:22:46,060 --> 00:22:47,583 YOU COULD'VE SAID SOMETHING TO ME AFTER I PROPOSED. 440 00:22:47,714 --> 00:22:50,238 -I KNOW, I KNOW. I SHOULD HAVE. 441 00:22:51,457 --> 00:22:52,806 I WAS STUPID. 442 00:22:52,936 --> 00:22:55,025 -OH, THAT'S NOT IT. YOU'RE NOT STUPID. 443 00:22:56,723 --> 00:23:00,640 -I WAS ALSO IN LOVE. I FELT LIKE I WAS IN A DREAM. 444 00:23:00,770 --> 00:23:03,773 I DIDN'T WANT TO WAKE UP. I DIDN'T WANT IT TO END. 445 00:23:07,690 --> 00:23:11,433 IF I HAD TOLD YOU THE TRUTH, WHAT WOULD YOU HAVE DONE? 446 00:23:12,347 --> 00:23:15,350 -YOU DON'T LIE TO SOMEONE THAT YOU LOVE. 447 00:23:15,481 --> 00:23:17,483 -I DIDN'T WANT TO LOSE YOU. I STILL DON'T. 448 00:23:17,613 --> 00:23:19,136 MITCH, PLEASE FORGIVE ME. 449 00:23:19,267 --> 00:23:20,790 DON'T LET PETER COME BETWEEN US. 450 00:23:20,921 --> 00:23:23,445 -IT'S NOT ABOUT PETER. IT'S ABOUT YOU. 451 00:23:23,576 --> 00:23:25,142 -WE CAN WORK THIS OUT. 452 00:23:25,273 --> 00:23:27,406 -NOT IF I CAN'T BELIEVE ANOTHER WORD YOU SAY. 453 00:23:28,276 --> 00:23:32,106 -[MELANCHOLY MUSIC] 454 00:23:32,236 --> 00:23:35,979 -IF THAT'S THE WAY YOU FEEL, THEN I WON'T SAY ANOTHER WORD. 455 00:23:48,557 --> 00:23:51,865 -[PHONE RINGING] 456 00:23:51,995 --> 00:23:52,866 -HELLO? 457 00:23:52,996 --> 00:23:54,911 -HEY, HOW'D IT GO? 458 00:23:55,042 --> 00:23:57,087 -MITCH: I CAN'T TALK RIGHT NOW, PAL. 459 00:23:57,784 --> 00:23:59,133 -IS SHE RIGHT THERE? 460 00:23:59,263 --> 00:24:01,483 -NO, NO. SHE'S UPSTAIRS LOCKED IN THE BEDROOM. 461 00:24:01,614 --> 00:24:03,398 I'M DOWNSTAIRS MAKING UP THE COUCH. 462 00:24:03,529 --> 00:24:05,748 -WELL, THAT PRETTY MUCH GIVES ME THE PICTURE. 463 00:24:07,141 --> 00:24:09,317 -I JUST DON'T KNOW HOW I'M GOING TO TRUST HER AFTER THIS. 464 00:24:09,448 --> 00:24:11,014 -YEAH, THE QUESTION BECOMES WHAT ARE YOU GOING 465 00:24:11,145 --> 00:24:12,538 TO DO ABOUT IT? 466 00:24:12,668 --> 00:24:14,627 -I KNOW. I DON'T WANT TO THINK ABOUT IT. 467 00:24:15,715 --> 00:24:17,586 LISTEN, I'M ABOUT TO DROP. 468 00:24:17,717 --> 00:24:19,153 -CRAIG: GET SOME SLEEP. 469 00:24:19,283 --> 00:24:20,676 I'LL CHECK ON YOU FIRST THING IN THE MORNING. 470 00:24:20,807 --> 00:24:23,374 -OKAY, THANKS. HEY, THANKS FOR CALLING. 471 00:24:23,505 --> 00:24:24,375 -YEAH. 472 00:24:26,595 --> 00:24:31,948 -[MELANCHOLY MUSIC] 473 00:24:39,347 --> 00:24:40,609 -MITCH: OW! -[GLASS SHATTERING] 474 00:24:40,740 --> 00:24:41,610 -MITCH: WHAT A DAY. 475 00:24:43,133 --> 00:24:48,356 -[THRILLING MUSIC] 476 00:24:53,622 --> 00:24:55,145 -WELCOME ABOARD. -APRIL: HI. 477 00:24:55,276 --> 00:24:56,712 -FIRST CLASS IS TO YOUR RIGHT. ENJOY YOUR FLIGHT. 478 00:24:56,843 --> 00:24:58,061 -THANK YOU. 479 00:24:58,192 --> 00:24:59,367 -EXCUSE ME. -OH, WE'RE TOGETHER. 480 00:24:59,498 --> 00:25:01,282 -I STILL NEED TO SEE YOUR TICKET. 481 00:25:02,631 --> 00:25:03,502 -OKAY. 482 00:25:05,242 --> 00:25:06,592 -I'M AFRAID THAT YOUR SEAT IS IN COACH. 483 00:25:07,375 --> 00:25:09,377 -WHAT? HOW CAN THAT BE? 484 00:25:10,378 --> 00:25:12,119 OH, THEY MUST'VE GIVEN ME THE WRONG TICKET. 485 00:25:12,249 --> 00:25:13,686 -CODY. 486 00:25:13,816 --> 00:25:14,730 -AND I SUPPOSE YOU'RE ON YOUR HONEYMOON? 487 00:25:14,861 --> 00:25:16,689 -HOW'D YOU GUESS? 488 00:25:16,819 --> 00:25:18,081 -I DON'T KNOW HIM. 489 00:25:19,082 --> 00:25:20,127 -COME ON, BUDDY. LET'S GO. 490 00:25:21,998 --> 00:25:23,391 -APRIL. 491 00:25:25,175 --> 00:25:27,656 I DON'T SUPPOSE THERE'S ANY WAY YOU CAN UPGRADE ME. 492 00:25:27,787 --> 00:25:30,441 LOOKED LIKE A LOT OF EMPTY SEATS UP THERE. 493 00:25:30,572 --> 00:25:32,792 -NOT AFTER THAT LAME PERFORMANCE. 494 00:25:32,922 --> 00:25:35,272 BESIDES, I COULD USE A GUY LIKE YOU. 495 00:25:35,403 --> 00:25:36,796 -REALLY? 496 00:25:36,926 --> 00:25:39,407 -THAT IS IF YOU'RE REALLY A LIFEGUARD. 497 00:25:39,538 --> 00:25:40,930 -YEAH, I'M A LIFEGUARD. 498 00:25:42,192 --> 00:25:43,411 -HERE'S YOUR SEAT. 499 00:25:45,021 --> 00:25:46,545 -THOUGHT I WAS IN 17A. 500 00:25:46,675 --> 00:25:49,199 -YOU WERE, BUT TYLER HERE IS TRAVELING BY HIMSELF 501 00:25:49,330 --> 00:25:50,853 AND HE COULD USE THE COMPANY. 502 00:25:51,811 --> 00:25:53,769 -AND MY INCENTIVE WOULD BE? 503 00:25:54,814 --> 00:25:56,163 -FREE HEADPHONES. 504 00:25:59,340 --> 00:26:00,428 -GREAT. 505 00:26:08,479 --> 00:26:10,612 HOW YOU DOING, PAL? MY NAME'S CODY. 506 00:26:10,743 --> 00:26:11,613 -I'M TYLER. 507 00:26:12,222 --> 00:26:14,181 -NICE TO MEET YOU, TYLER. 508 00:26:14,311 --> 00:26:16,792 -THEY'RE SERVING SAUSAGE AND PANCAKES FOR BREAKFAST. 509 00:26:17,445 --> 00:26:18,925 -REALLY? 510 00:26:19,055 --> 00:26:21,101 -LAST TIME I FLEW, I HAD A CHICKEN POT PIE. 511 00:26:21,231 --> 00:26:23,799 -OH, YEAH? HOW WAS IT? 512 00:26:23,930 --> 00:26:25,627 -MADE ME BARF. 513 00:26:28,674 --> 00:26:29,979 -OKAY. 514 00:26:33,548 --> 00:26:34,462 -SAY WHEN. 515 00:26:34,593 --> 00:26:36,551 -THAT'S GREAT. THANKS. 516 00:26:36,682 --> 00:26:37,900 -WE'LL HAVE FULL COCKTAIL SERVICE ONCE WE'RE UP IN THE AIR. 517 00:26:38,031 --> 00:26:39,032 -OKAY. 518 00:26:44,428 --> 00:26:45,212 HI. 519 00:26:45,342 --> 00:26:46,561 -GOOD MORNING. 520 00:26:46,692 --> 00:26:50,043 -WOW, I'M A BIG FAN OF YOUR FILMS. 521 00:26:50,173 --> 00:26:51,697 -OH, THANK YOU. THAT'S SWEET OF YOU. 522 00:26:51,827 --> 00:26:53,524 -ESPECIALLY THE OBLITERATOR. 523 00:26:53,655 --> 00:26:57,224 YOU KNOW THAT ACTION SEQUENCE AT THE END IS AWESOME. 524 00:26:57,354 --> 00:26:58,399 I'M APRIL GIMINSKI. 525 00:26:58,529 --> 00:27:00,488 -HANS. -APRIL: HI. 526 00:27:00,619 --> 00:27:02,403 -OH, EXCUSE ME, SORRY. 527 00:27:03,404 --> 00:27:07,626 I'M SORRY, I BELIEVE I HAVE 7A IN THE WINDOW. 528 00:27:09,236 --> 00:27:10,933 -ACTUALLY, WOULD YOU BE MORE COMFORTABLE ON THE AISLE? 529 00:27:11,064 --> 00:27:12,543 -WOULD YOU MIND? -NOT AT ALL. 530 00:27:12,674 --> 00:27:13,806 -GREAT. 531 00:27:13,936 --> 00:27:15,155 -HERE, LET ME HELP YOU. -THANKS. 532 00:27:15,285 --> 00:27:16,678 -PILOT: GOOD MORNING, EVERYBODY. 533 00:27:16,809 --> 00:27:18,506 ON BEHALF OF COAST WEST AIRLINES FLIGHT 619 534 00:27:18,637 --> 00:27:20,029 TO NEW YORK'S JOHN F. KENNEDY AIRPORT, 535 00:27:20,160 --> 00:27:21,683 I'D LIKE TO WELCOME YOU ABOARD. 536 00:27:21,814 --> 00:27:23,424 MY NAME'S BRENT MUELLER, YOUR CAPTAIN THIS MORNING. 537 00:27:23,554 --> 00:27:25,818 TIME EN ROUTE, FIVE HOURS, 15 MINUTES. 538 00:27:25,948 --> 00:27:28,472 WE'LL BE CRUISING AT 37,000 FEET. 539 00:27:28,603 --> 00:27:30,866 WE'VE GOT SOME THUNDER STORMS REPORTED EN ROUTE. 540 00:27:30,997 --> 00:27:32,825 COURTESY OF EL NINO. 541 00:27:32,955 --> 00:27:35,958 IN FACT, JUST OFF SHORE, WE'VE GOT SOME DEVELOPING ACTIVITY. 542 00:27:36,089 --> 00:27:38,091 WHAT THAT MEANS IS WE COULD HAVE A BUMP OR TWO 543 00:27:38,221 --> 00:27:40,180 AFTER TAKE OFF, SO PLEASE STAY IN YOUR SEATS 544 00:27:40,310 --> 00:27:42,486 WITH YOUR SEAT BELTS FASTENED, THANK YOU. 545 00:27:45,620 --> 00:27:47,709 -WHAT ARE YOU GONNA DO IN NEW YORK? YOU LIVE THERE? 546 00:27:47,840 --> 00:27:50,625 -NO, WE'RE GOING TO VISIT MY GRANDPARENTS. 547 00:27:50,756 --> 00:27:52,192 WHAT ABOUT YOU? 548 00:27:52,322 --> 00:27:53,541 -GONNA SEE MY GIRLFRIEND. 549 00:27:53,672 --> 00:27:54,847 -SHE LIVE IN NEW YORK? 550 00:27:54,977 --> 00:27:56,500 -YUP, SHE JUST MOVED THERE. 551 00:27:56,631 --> 00:27:58,372 SHE OPENS TOMORROW ON BROADWAY. 552 00:27:58,502 --> 00:27:59,939 SHE'S A DANCER. 553 00:28:01,331 --> 00:28:02,768 -ARE YOU A DANCER? 554 00:28:02,898 --> 00:28:06,554 -[LAUGHS] NO, I AM NOT A DANCER. 555 00:28:13,474 --> 00:28:15,084 -SO, WHEN ARE YOU DUE? 556 00:28:15,215 --> 00:28:16,607 -NOT FOR ANOTHER MONTH. 557 00:28:18,740 --> 00:28:20,350 I KNOW I'M HUGE. 558 00:28:20,481 --> 00:28:22,396 -NO, YOU'RE NOT. 559 00:28:22,526 --> 00:28:24,528 -IT'S OKAY, WE'RE GONNA NEED THAT MUCH TIME 560 00:28:24,659 --> 00:28:25,704 TO COME UP WITH A NAME. 561 00:28:25,834 --> 00:28:27,401 -IS IT A BOY OR A GIRL? 562 00:28:27,531 --> 00:28:29,708 -WE DON'T KNOW YET, SO WE'VE GOT TO COME UP 563 00:28:29,838 --> 00:28:31,492 WITH TWO SETS OF NAMES. 564 00:28:32,058 --> 00:28:34,974 I LIKE SHARON OR SHEILA IF IT'S A GIRL 565 00:28:35,104 --> 00:28:38,194 AND ROGER OR ROBERT IF IT'S A BOY. 566 00:28:38,325 --> 00:28:41,023 MY HUSBAND LIKES HECTOR IF IT'S A BOY 567 00:28:41,154 --> 00:28:43,286 AND SYDNEY IF IT'S A GIRL. 568 00:28:44,374 --> 00:28:46,768 YOU CAN SEE WHY WE'RE NOT SPEAKING AT THE MOMENT. 569 00:28:46,899 --> 00:28:48,552 -ALL SET? -ALL SET. 570 00:28:48,683 --> 00:28:50,511 -CLEAR RIGHT. -CLEAR RIGHT. 571 00:28:50,641 --> 00:28:52,861 -TRAFFIC CONTROL: CENTER FIELD WIND AT 25 GUSTING TO 30 SOUTH 572 00:28:52,992 --> 00:28:54,341 FIELD WIND AT 10. 573 00:28:54,471 --> 00:28:56,647 LAST AIRCRAFT REPORTED LOSS OF 10 TO 15 KNOTS. 574 00:28:58,040 --> 00:29:00,260 COAST WEST 619, YOU ARE CLEAR FOR TAKE OFF. 575 00:29:00,390 --> 00:29:02,044 -TOM, I'M JUST GONNA CARRY A LITTLE EXTRA SPEED. 576 00:29:02,175 --> 00:29:04,264 WE'RE UPDATING A LITTLE SLOW. 577 00:29:04,394 --> 00:29:06,179 -OKAY. LET'S GO. 578 00:29:17,756 --> 00:29:19,148 -I HATE THIS PART. 579 00:29:19,279 --> 00:29:20,802 -IT'S GONNA BE OKAY, PAL. 580 00:29:28,070 --> 00:29:30,420 -WE MUST BE GOING THROUGH THE STORM. 581 00:29:33,815 --> 00:29:37,210 -[THUNDER CRASHING] 582 00:29:37,340 --> 00:29:42,345 -[OMINOUS MUSIC] 583 00:29:50,353 --> 00:29:52,355 -AIR SPEED. TIME RATE'S DECREASING. 584 00:29:52,486 --> 00:29:53,313 -[BEEPING] 585 00:29:53,443 --> 00:29:55,315 -WIND SHEAR, WIND SHEAR. 586 00:30:00,842 --> 00:30:03,845 LIGHT BUZZ FIVE. 6500, BUZZ LIGHT MINUS FIVE. 587 00:30:03,976 --> 00:30:06,500 SINK A THOUSAND, MINUS 17, SINK 15. 588 00:30:06,630 --> 00:30:08,415 WE'RE LOSING IT. 589 00:30:08,545 --> 00:30:13,899 -[SCARED SHOUTING] 590 00:30:14,029 --> 00:30:16,466 -WHAT'S HAPPENING? ARE WE GONNA CRASH? 591 00:30:19,339 --> 00:30:21,689 -[BEEPING] 592 00:30:31,003 --> 00:30:35,616 -[SCREAMING] 593 00:30:35,746 --> 00:30:36,965 -WE'RE NOT GONNA MAKE IT. 594 00:30:37,096 --> 00:30:38,401 TELL THE PASSENGERS WE'RE GOING IN. 595 00:30:38,532 --> 00:30:39,925 -PREPARE FOR IMPACT. 596 00:30:40,055 --> 00:30:42,014 PREPARE FOR IMPACT. PREPARE FOR IMPACT. 597 00:30:42,144 --> 00:30:43,493 -MY GOD. 598 00:30:43,624 --> 00:30:45,974 -HOLD YOUR HEAD BETWEEN YOUR LEGS, TYLER. 599 00:30:47,236 --> 00:30:49,848 -MAYDAY, MAYDAY, MAYDAY. 600 00:30:49,978 --> 00:30:53,416 -[SCREAMING] 601 00:31:15,699 --> 00:31:18,702 -PLEASE STAY CALM! WE WILL GET YOU OUT. 602 00:31:20,704 --> 00:31:21,923 DON'T PANIC. 603 00:31:22,054 --> 00:31:27,233 -[SCREAMING AND SHOUTING] 604 00:31:29,278 --> 00:31:30,714 -TYLER, TYLER, YOU ALL RIGHT? 605 00:31:30,845 --> 00:31:32,673 ALL RIGHT, COME ON, KID. LET'S GET OUT OF HERE. 606 00:31:32,803 --> 00:31:33,935 -CODY, HELP! 607 00:31:34,066 --> 00:31:35,241 -COME ON, COME ON, COME ON! 608 00:31:36,242 --> 00:31:40,115 COME ON, STAY WITH ME, TYLER. 609 00:31:52,606 --> 00:31:54,086 -APRIL: FRANCINE? 610 00:31:54,216 --> 00:31:55,043 FRANCINE? 611 00:31:56,305 --> 00:31:58,307 ARE YOU OKAY? ARE YOU OKAY? 612 00:31:58,829 --> 00:31:59,961 -I THINK SO. 613 00:32:00,092 --> 00:32:01,006 -OKAY, LET'S GET THIS OFF YOU. 614 00:32:01,136 --> 00:32:02,311 -OKAY. -APRIL: ANY PAIN? 615 00:32:02,442 --> 00:32:03,356 -NO. 616 00:32:03,486 --> 00:32:04,792 -OKAY, YOU ALL RIGHT? 617 00:32:04,923 --> 00:32:06,794 HANG IN THERE. HOLD ON. 618 00:32:07,621 --> 00:32:09,536 HANS! HANS? 619 00:32:10,189 --> 00:32:11,581 COME ON, YOU OKAY? 620 00:32:14,019 --> 00:32:15,324 YOU ALL RIGHT? 621 00:32:17,196 --> 00:32:18,327 -WHERE ARE WE? 622 00:32:19,850 --> 00:32:20,982 DO YOU SEE ANYTHING? 623 00:32:21,635 --> 00:32:23,463 -WE'RE STILL ABOVE WATER. 624 00:32:23,985 --> 00:32:25,944 I'M GONNA LOOK FOR A WAY OUT, OKAY? 625 00:32:26,640 --> 00:32:28,859 OKAY? ALL RIGHT. 626 00:32:30,644 --> 00:32:35,954 -[SHOUTING] 627 00:32:36,084 --> 00:32:38,043 -OKAY, TYLER, WE GOTTA PUT THIS ON YOU. 628 00:33:06,114 --> 00:33:08,029 OKAY, TYLER, IT'S YOUR TURN, MAN. 629 00:33:08,160 --> 00:33:09,161 I'LL BE RIGHT BEHIND YOU. 630 00:33:09,291 --> 00:33:10,684 -I DON'T SEE ANYBODY ELSE. 631 00:33:11,467 --> 00:33:14,470 -WHAT ABOUT MY GLASSES? I WON'T BE ABLE TO SEE. 632 00:33:14,601 --> 00:33:16,168 -I'LL HOLD YOUR GLASSES, NOW GO. 633 00:33:16,298 --> 00:33:18,779 CLOSE YOUR EYES AND JUMP. 634 00:33:23,218 --> 00:33:25,699 TYLER! TYLER! 635 00:33:30,791 --> 00:33:32,880 TYLER! TYLER! 636 00:33:33,011 --> 00:33:34,229 -TYLER! 637 00:33:34,360 --> 00:33:35,491 -DO YOU SEE HIM? -NO! 638 00:33:35,622 --> 00:33:37,102 -CODY: TYLER! -WOMAN: TYLER! 639 00:33:37,232 --> 00:33:39,408 -DO YOU HEAR MY VOICE? TYLER! 640 00:33:39,539 --> 00:33:41,149 TYLER! 641 00:33:44,196 --> 00:33:45,110 I CAN'T FIND HIM. 642 00:33:45,806 --> 00:33:48,200 -HE'LL TURN UP. I NEED YOUR HELP HERE. 643 00:33:48,330 --> 00:33:50,463 -HE'S GOT A LIFE VEST ON, HE COULDN'T HAVE DROWNED. 644 00:33:51,116 --> 00:33:51,942 TYLER! 645 00:33:52,073 --> 00:33:52,856 -CODY! 646 00:33:52,987 --> 00:33:53,770 -TYLER! 647 00:33:53,901 --> 00:33:54,858 -CODY! 648 00:34:01,952 --> 00:34:03,780 -[GROANING] 649 00:34:13,355 --> 00:34:14,574 -OH, MY GOD. 650 00:34:16,489 --> 00:34:17,881 WE'VE GOT TO GET THIS OFF OF YOU. ARE YOU OKAY? 651 00:34:18,012 --> 00:34:19,144 -I THINK SO. 652 00:34:19,927 --> 00:34:22,016 -HANS, FRANCINE! CAN YOU HELP? 653 00:34:24,366 --> 00:34:26,412 JUST HANG IN THERE, JUST HANG IN THERE. 654 00:34:30,807 --> 00:34:32,157 WE GOTTA GET IT OFF. 655 00:34:34,376 --> 00:34:35,943 -WE NEED MORE HELP, GO CHECK THE PILOTS. 656 00:34:36,639 --> 00:34:37,988 -I'LL BE RIGHT BACK. 657 00:34:40,165 --> 00:34:41,383 -MAN: IT'S ON MY LEG. 658 00:34:43,298 --> 00:34:44,908 -[GRUNTING] 659 00:34:52,002 --> 00:34:55,702 -CAPTAIN? CAPTAIN? 660 00:34:55,832 --> 00:34:57,095 CAPTAIN? 661 00:34:57,225 --> 00:34:58,922 -IT ONLY OPENS FROM THE INSIDE. 662 00:34:59,053 --> 00:35:00,533 THEY MUST NOT HAVE MADE IT. 663 00:35:00,663 --> 00:35:03,101 -WE HAVE TO SEE. HANS, CAN YOU COME HELP ME? 664 00:35:03,231 --> 00:35:05,015 THERE'S SOMETHING BLOCKING THE DOOR. 665 00:35:13,981 --> 00:35:15,287 -HANS: IT'S BLOCKED. 666 00:35:17,767 --> 00:35:20,857 -I GOTTA GET THROUGH THERE. HOLD ON, HOLD ON. 667 00:35:35,045 --> 00:35:37,396 THEY'RE BOTH DEAD AND IT'S COMPLETELY COLLAPSED. 668 00:35:46,013 --> 00:35:49,103 -WE'RE ALL GOING TO DIE. NO ONE KNOW. 669 00:35:52,150 --> 00:35:53,325 -THERE'S GOT TO BE A WAY OUT. 670 00:35:55,240 --> 00:35:59,244 -WE CAN'T USE THE EMERGENCY DOOR. IT ALL GOT CRUSHED. 671 00:36:03,030 --> 00:36:04,249 IT'S GONNA BE OKAY. 672 00:36:07,469 --> 00:36:10,037 -THE WHOLE GALLEY'S CAVED IN, WE CAN'T GET OUT THIS WAY. 673 00:36:10,690 --> 00:36:13,562 -IT'S RAN. WE'RE ALL GONNA DIE. 674 00:36:16,957 --> 00:36:19,133 WE'RE ALL GONNA DIE. I DON'T WANNA DIE. 675 00:36:23,181 --> 00:36:27,141 -[SHOUTING] 676 00:36:49,468 --> 00:36:51,165 -CODY, WHAT'S WRONG? 677 00:36:51,296 --> 00:36:53,733 -MY RIBS, FEELS LIKE I BROKE A COUPLE. 678 00:36:53,863 --> 00:36:54,777 I'LL BE ALL RIGHT. 679 00:36:56,518 --> 00:36:58,303 -CODY, THE FRONT OF THE PLANE IS GONE. 680 00:36:59,129 --> 00:37:00,740 -APRIL, I GOTTA FIND HER. 681 00:37:00,870 --> 00:37:03,351 -CODY, IT'S GONE. FIRST CLASS BROKE OFF. 682 00:37:04,483 --> 00:37:06,746 IT EITHER SANK OR IT WAS DESTROYED IN THE IMPACT. 683 00:37:06,876 --> 00:37:08,965 -NO, THERE'S NO WAY. 684 00:37:32,337 --> 00:37:33,642 -SHARK! 685 00:37:33,773 --> 00:37:38,865 -[SCREAMING AND SHOUTING] 686 00:38:23,257 --> 00:38:25,781 -APRIL: IS THERE A FLASHLIGHT ON BOARD? 687 00:38:26,434 --> 00:38:28,306 -IT SHOULD BE RIGHT OVER THERE SOME WHERE. 688 00:38:33,746 --> 00:38:36,270 -OH, GOD. OH, MY GOD. 689 00:38:36,401 --> 00:38:37,271 -WHAT'S WRONG? 690 00:38:37,880 --> 00:38:39,012 -I'M HAVING A CONTRACTION. 691 00:38:40,405 --> 00:38:42,189 -SHE'S GOING TO HAVE A BABY. 692 00:38:42,320 --> 00:38:43,408 -APRIL: NO, SHE'S NOT. 693 00:38:43,538 --> 00:38:45,584 -YES, I AM. 694 00:38:45,714 --> 00:38:46,933 -JUST HANG IN THERE, FRANCINE. 695 00:38:47,063 --> 00:38:48,151 -APRIL: GOT IT. 696 00:38:51,198 --> 00:38:52,721 -I'M HAVING ANOTHER ONE. 697 00:38:52,852 --> 00:38:55,637 -OKAY, TAKE A DEEP BREATH. HOLD IT, HOLD IT. 698 00:38:55,768 --> 00:38:56,725 LET IT OUT. 699 00:38:56,856 --> 00:38:58,858 TAKE ANOTHER DEEP BREATH. 700 00:39:00,686 --> 00:39:03,210 -COME ON. GIVE ME YOUR HAND, GIVE ME YOUR HAND. 701 00:39:03,341 --> 00:39:05,125 -GRAB ON, PAL. GRAB ON. 702 00:39:12,219 --> 00:39:13,351 -YOU GUYS ALL RIGHT? 703 00:39:29,367 --> 00:39:32,935 -OH, MY GOD. OH, MY GOD. 704 00:39:33,066 --> 00:39:39,028 -[DRAMATIC MUSIC] 705 00:40:18,372 --> 00:40:23,464 -[END THEME PLAYING] 706 00:40:23,514 --> 00:40:28,064 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0